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The overture never ended.

It started at the Met when I was ten. Twenty years of stages later, I'm still mid-performance.

First movement · con anima

A Jersey Boy raised on the biggest stage there is

Greek and Italian blood, a Metropolitan Opera House chorus part at age ten, and a Westminster Choir College education. That's the training. The proving ground came after: featured singer, vocal captain, and headliner for Royal Caribbean Productions, plus the international tour of Chicago.

Now based in Zürich, singing in more languages than I have passports.

Headshot, natural light

Second movement · tutti

The repertoire, marked like a score

ffHeadliner and featured vocalistFull production shows and solo sets. The big finish, nightly.Voice

fMusical theatreChicago and the canon, acted as much as sung.Stage

mpOpera and classical chorusThe Met discipline that never leaves.Classical

pSinger-songwriterOriginal material, the quiet honest kind.Original

sfzVocal captainEnsemble leadership: blend, discipline, morale.Leadership

Third movement · the critics

Directors, on the record

Gifted vocally. A quick study who exhibits the utmost professionalism.

Anne DittamoVocal Director, Royal Caribbean Productions

A sensitive singer with a solid voice and versatile range.

Andrew BryanMusical Director, Chicago

A beautiful voice. Intelligent, focused, and great to work with.

Mark PettitVocal Director, Royal Caribbean

Markos is brilliant. He follows direction well and is quick to try new concepts.

Elem EleyWestminster Choir College

Finale · da capo

Your stage, next.

Casting, booking, or collaboration. One message reaches me directly.

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